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	<title>New Music Connoisseur</title>
	<link>http://newmusicon.org</link>
	<description>A publication of the Center for Contemporary Opera and the American Composers Alliance</description>
	<lastBuildDate>Fri, 28 Sep 2012 20:40:44 +0000</lastBuildDate>
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		<title>Cool Brittania</title>
		<description>	Da Capo Chamber Players
Merkin Concert Hall, New York,
October 10, 2011
By Anne Eisenberg
	The veteran Da Capo Chamber Players have a knack for programming, and on October 10 at Merkin Concert Hall they showed that flair yet again when they opened their 41st season with “Cool Britannia”– an innovative program featuring contemporary ...</description>
		<link>http://newmusicon.org/index.php/2012/03/06/cool-brittania/</link>
	</item>
	<item>
		<title>Gods and Robots</title>
		<description>	Death and the Powers: The Robots’ Opera,
American Repertory Theatre with MIT’s Fast Arts Festival and Chicago
Opera Theater, Cutler Majestic Theatre,
Boston, Massachusetts, 25 March 2011;
and Prometheus Bound,
American Repertory Theater, Oberon,
Cambridge, Massachusetts, 29 March 2011
	By Leann Davis Alspaugh 
	You know you’re in a theatre full of science geeks when the line “What ...</description>
		<link>http://newmusicon.org/index.php/2012/03/06/gods-and-robots/</link>
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	<item>
		<title>Music for Silenced Voices:</title>
		<description>	Shostakovich and His Fifteen Quartets
	Yale University Press
	By Mark Zuckerman
	Start the idea of great Twentieth Century Russian composers and three names likely spring to mind: Igor Stravinsky, Sergei Prokofiev, and Dmitri Shostakovich. Of the three, only Shostakovich spent his entire creative life in the Soviet Union. He came of age just ...</description>
		<link>http://newmusicon.org/index.php/2012/03/06/music-for-silenced-voices/</link>
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		<title>FALL/WINTER 2011 -Vol 19, Issue 2</title>
		<description>	
	On the Cover: Back Street Ballet, silkscreen, by Meredith Mayer.
	IN THIS ISSUE
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	Contributors, 4
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	LIVE PERFORMANCE REVIEWS
	Cool Brittania by Anne Eisenberg, 6
Nico Muhly, Dark Sisters by Ben Yarmolinsky,  7
Spring for Music by Barry O’Neal, 8
Song and Dance from a Scottish Master by Barry O’Neal, 10
Gods and Robots by Leann Davis Alspaugh, ...</description>
		<link>http://newmusicon.org/index.php/2012/03/06/fallwinter-2011-vol-19-issue-2/</link>
	</item>
	<item>
		<title>20th Century Operas in the 21st Century</title>
		<description>	by Leonard J. Lehrman 
	Librettist/director/teacher Stephen Wadsworth had two big debuts in NY this past fall, first at the Met, then at City Opera. At the former, he took over the staging of Mussorgsky&#8217;s Boris Godunov when German director Peter Stein refused to subject himself to the indignities US customs ...</description>
		<link>http://newmusicon.org/index.php/2011/07/21/20th-century-operas-in-the-21st-century-part-1/</link>
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		<title>Fantastical Sounds from Near and Far</title>
		<description>	New Juilliard Ensemble, Joel Sachs Founding Director and Conductor; The Peter Jay Sharp Theater, New York, NY, September 25, 2010 
	by Barry O’Neal 
	The pool of fine young musicians at The Juilliard School that Joel Sachs draws upon for his New Juilliard Ensemble is genuinely inspiring. Their first concert of ...</description>
		<link>http://newmusicon.org/index.php/2011/07/21/fantastical-sounds-from-near-and-far/</link>
	</item>
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		<title>Ana Milosavjevic at Le Poisson Rouge</title>
		<description>	February 16, 2011
	By Cornelius Dufallo
	 Violinist and composer Ana Milosavjevic presented a program of violin music at Le Poisson Rouge on February 16, in celebration of her new CD, Reflections (Innova Recordings). Ms. Milosavjevic performed five recent compositions, the oldest of which dates from 2006. The small, hip venue was ...</description>
		<link>http://newmusicon.org/index.php/2011/07/21/ana-milosavjevic-at-le-poisson-rouge/</link>
	</item>
	<item>
		<title>Cassatt String Quartet, Ursula Oppens</title>
		<description>	Works by Frank, Fang, Tower, and Brahms;
Symphony Space, May 6, 2011.
	by Anne Eisenberg
	The stage at Symphony Space, the performing arts center on the Upper West Side of Manhattan, was just as you might have expected it to be on May 6th, just before the evening performance of the Cassatt String ...</description>
		<link>http://newmusicon.org/index.php/2011/07/21/cassatt-string-quartet-ursula-oppens/</link>
	</item>
	<item>
		<title>Spring 2011 Issue</title>
		<description>	
	On the Cover: Don Giovanni all&#8217;inferno, Found objects/mixed media assemblage made from bed springs with other materials and artist pigments by Renzo Oliva
	In this Issue
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Contributors, 4
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LIVE PERFORMANCE REVIEWS
Cassatt String Quartet, Ursula Oppens, 6
Ana Milosavjevic at Le Poisson Rouge, 7
New Chamber Music in Paradise, 8
A Dream Fulfilled, 9
Fantastical Sounds From Near ...</description>
		<link>http://newmusicon.org/index.php/2011/07/21/spring-2011-issue/</link>
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		<title>Robert Carl: Terry Riley’s In C</title>
		<description>	Oxford University Press, 2010
	by Mark Zuckerman
	 Terry Riley’s In C (1964) is widely regarded as the seminal work in the minimalist canon. Its score is lean: one page of music and about a page and a half of performance advice. The music is a sequence of 53 modules: numbered linear ...</description>
		<link>http://newmusicon.org/index.php/2010/12/09/robert-carl-terry-riley%e2%80%99s-in-c/</link>
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