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<h2>Four Women</h2>
<h3> Summer 1999 (Vol. 7, No.2)</h3>
<font size="-1">IN THIS ISSUE, <b>3</b> <br>
CONGRATULATIONS TO... , <b>3</b> <br>
OBITUARIES: Juan Lemann; others, <b>3</b> <br>
CORRECTIONS, <b>3</b> <br>
LIVE EVENTS (Feb. 99 - May 99) </font>
<blockquote><font size="-1"> No Mo’ singing, please! +
With friends like these…,<b> 5</b> <br>
Enough polish for this Diamond? + Music for a nonconvertible Castro,<b>
6</b> <br>
Canyons in the chamber + In a tizzy over Lizzie, <b>7</b>
<br>
Tuneful, but is it Sly?,<b> 8</b> <br>
<i><a href="file:///Susannah.html"> <b>Susannah:</b></a></i><b><a href="Susannah.html" target="_blank">
Lost in the Holland tunnel?</a></b> + Found! Two fine
American composers,<b> 9</b> <br>
Of amphitheaters and bedrooms + And now to the Kitchen,<b>
10</b> <br>
<b> </b>Film with music: the heart of the mata + Kibbutz-ing
and jazzing it up with Paul,<b> 11</b> <br>
<b> </b>Gi’me the "keys" to the "fun house," + <b><a href="Ashley.html" target="_blank">Ashley
to Ashley: "dust to <i>Dust</i>, aha!"</a></b>,<b> 12</b> <br>
Cooking up some operatic fast food,<b> 13</b> <br>
<b> </b>The incredible flutist strikes (!!!) again, <b>14</b> <br>
Shh, you’re in the "study" hall!, <b>15</b> <br>
It’s a riff out there! + No shufflin’ to go in Buffalo,<b> 16</b>
<br>
Four B’s go Baroque,<b> 17</b> <br>
<i>Resurrection</i> before a proper birth? + Of Shapey notes
and <i>Shape Notes,</i><b> 18</b> <br>
<b> </b>The A’s have it at Longy,<b> 19</b> <br>
A knight to remember + A cyberspective concert,<b> 20</b> <br>
Another "learner" at Loewe,<b> 21</b> <br>
Microtones, yes – microphones, no!,<b> 22</b></font></blockquote>
<font size="-1">DOTTED . . . NOTES, <b>23</b> <br>
THE PRESS BOX, <b>24</b> <br>
SPEAKING OUT: LETTERS, <b>26</b> <br>
RECORDINGS </font>
<blockquote><font size="-1">How do you <i>prepare</i> for this! Ask Cage,<b>
28 + <a href="Fields.html" target="_blank">A survey of Fields,</a>
29</b> <br>
Kraft goes to Korte,<b> 29 + </b>Cleary listens, as George
does it,<b> 30</b> <br>
Seymour on a smaller space,<b> 30 + </b>Sorting out and gauging guitarists,<b>
31</b></font></blockquote>
<font size="-1">COMPACT DISCOURSES, <b>32</b> <br>
RECENT RELEASES, <b>33</b> <br>
DIRECTORY OF NEW-MUSIC LABELS, <b>34</b> <br>
INDEX OF COMPOSERS, <b>35</b> <br>
THE BULLETIN BOARD, <b>36</b> </font>
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